Stone golem

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The stone golem is a type of golem that appears in NetHack.

Generation

In addition to random generation, stone golems can be created if any other type of golem is turned to stone through various circumstances; this includes you if you are polymorphed into an appropriate golem.[1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16]

Stone golems are always generated with 60 hit points.[17][18]

When a stone golem is killed, it leaves a statue (of a stone golem) rather than a corpse[19]. The stone golem's inventory becomes the contents of the statue,[20] which is usually empty: stone golems are mindless and neither pick up items nor generate with any, so it is unlikely to be worth breaking the statue for a spellbook. A randomly-generated statue of stone golem in the dungeon may still contain one spellbook.

Strategy

Casting stone to flesh on a "live" stone golem will turn it into a flesh golem; casting the spell on a statue of a stone golem will create a single meatball, because the golem is not considered a fleshy monster.

Encyclopedia entry

"The original story harks back, so they say, to the sixteenth century. Using long-lost formulas from the Kabbala, a rabbi is said to have made an artificial man -- the so-called Golem -- to help ring the bells in the Synagogue and for all kinds of other menial work.
"But he hadn't made a full man, and it was animated by some sort of vegetable half-life. What life it had, too, so the story runs, was only derived from the magic charm placed behind its teeth each day, that drew down to itself what was known as the `free sidereal strength of the universe.'
"One evening, before evening prayers, the rabbi forgot to take the charm out of the Golem's mouth, and it fell into a frenzy. It raged through the dark streets, smashing everything in its path, until the rabbi caught up with it, removed the charm, and destroyed it. Then the Golem collapsed, lifeless. All that was left of it was a small clay image, which you can still see in the Old Synagogue." ...

[ The Golem, by Gustav Meyrink ]

References